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Cathy Wilkes, ohne Titel (Unikat 1), 2016, Textil, Ölkreide, ca. 45 x 33 cm, Courtesy Cathy Wilkes und The Modern Institute, Andrew Hamilton/Toby Webster Ltd, Glasgow, Preis 13.000 € Cathy Wilkes, ohne Titel (Unikat 2), 2016, Textil, Ölkreide, ca. 45 x 30 cm, Courtesy Cathy Wilkes und The Modern Institute, Andrew Hamilton/Toby Webster Ltd, Glasgow, Preis 13.000 € Cathy Wilkes, ohne Titel, 2016 Textil, Ölkreide, ca. 45 x 33 cm Courtesy Cathy Wilkes und The Modern Institute, Andrew Hamilton/Toby Webster Ltd, Glasgow Cathy Wilkes, ohne Titel, 2016 Textil, Ölkreide, ca. 45 x 30 cm Courtesy Cathy Wilkes und The Modern Institute, Andrew Hamilton/Toby Webster Ltd, Glasgow Zwei Unikate Wandvitrine: Museumsglas, Holzboden, 62 x 47 x 13 cm Preis je Unikat 13,000 € (inkl. Vitrine) |
Cathy Wilkes Cathy Wilkes, ohne Titel (Unikat 1),2016, Textil, Ölkreide, ca. 45 x 33 cm Cathy Wilkes, ohne Titel (Unikat 2), 2016, Textil, Ölkreide, ca. 45 x 30 cm Jeweils in einer Wandvitrine: Museumsglas, Holzboden, 62 x 47 x 13 cm Preis je Unikat 13.000 € (inkl. Vitrine) Beim Aufbau ihrer Einzelausstellung im Museum Abteiberg (im Winter 2015/16) erinnerte sich die nordirische Künstlerin an die deutsche Tradition des Adventskalenders mit seinen Türen. Cathy Wilkes begann daraufhin, Stoffe mit kleinen Öffnungen zu durchschneiden und montierte hinter deren Öffnungen, ähnlich wie hinter den Kalendertüren, weitere Ebenen. Die Aura unbekannter gebrauchter Objekte, oft ausgeblichener, geflickter oder auch fleckiger Stoffe, alter Bücher, Drucke, Alltagsgegenstände ist in kaum einem anderen Werk der Gegenwartskunst so existentiell deutbar, wie in den Assemblagen und Objektbildern von Cathy Wilkes. Sie verbindet Dinge mit Geschichte, Formen mit Gesten und Zeichen, die teils poetisch, teils sentimental, aber auch brutal wirken können. Die Künstlerin hat dem Museumsverein Abteiberg 2016 exklusiv diese zwei Stoffobjekte als Jahresgabe zur Verfügung gestellt. Es sind außergewöhnliche Unikate, da bei Cathy Wilkes selten solch kleinere Werke zu fnden sind. Die Abbildungen können vom Original abweichen. Biografie Kathy Wilkes 1966 geboren in Belfast Ausbildung 1992 Abschluss MFA, University of Ulster 1988 Abschluss, BA (Hons) Fine Art 1st Class, Glasgow School of Art Einzelausstellungen 2016 I still believe in miracles, Inverleith House, Edinburgh The Modern Institute, 3 Airds Lane, Glasgow 2015 Cathy Wilkes, Touring exhibition, Tate Liverpool (2015); LENTOS Kunstmuseum, Linz (2015); Museum Abteiberg, Moenchengladbach (2015 - 2016) 2014 Tramway, Glasgow (Part of GENERATION 2014) Art Unlimited, Art|45|Basel, Basel 2013 Xavier Hufkens, Brussels 2012 The Modern Institute, 1420 Osborne Street, Glasgow I Give You All My Money, The Renaissance Society at the University of Chicago, Chicago 2011 Gesellschaft für Aktuelle Kunst, Bremen Carnegie Museum of Art, Pittsburgh Art Unlimited, Art|42|Basel, Basel Aspen Art Museum, Aspen Kunstverein, Munich 2010 Galleria Raucci/Santamaria, Naples 2009 Galerie Giti Nourbaksch, Berlin Mummys Here, Studio Voltaire, London 2008 The Modern Institute/Toby Webster Ltd, Glasgow Milton Keynes Gallery, Milton Keynes 2007 Non Verbal (version), Gallery Weekend Berlin, Galerie Giti Nourbakhsch Void, Derry 2005 Most Women Never Experience, Galleria Raucci/Santamaria, Naples 2004 Daily Schedule, SMAK, Ghent Moons, Switchspace, Glasgow 1/4 Moon, Gallerie Giti Nourbaksch, Berlin 2003 Kabinett fur Aktuelle Kunst, Bremerhaven 2002 Inverleith House, Edinburgh Migros Museum, Zurich 2001 So and So, Cathy Wilkes, Galerie Giti Nourbaksch, Berlin Our Misfortune, Transmission, Glasgow (Touring exhibition. Touring to Cubitt, London) 1999 Cathy Wilkes/Martin Creed, The Modern Institute/Toby Webster Ltd, Glasgow 1996 Art Connexion, Lille 1994 Galerie CAOC, Berlin 1991 Transmission, Glasgow Gruppenausstellungen 2016 FOOD - Ecologies of the Everyday, 13th Fellbach Triennial of Small-Scale Sculpture, Fellbach, Germany 2015 Mommy, Yale Union, Portland Collection on Display: «Experimental Arrangements», Migros Museum, Zurich The Great Mother, Palazzo Reale, Milan (curated by Massimiliano Gioni) 2014 The Human Factor, The Hayward Gallery, London Somewhat Abstract; Selection from the Arts Council Collection, Nottingham Contemporary, Nottingham A Speculum That Shines, Rowing Projects, London MORNING AND EVENING ASYLUM, Tanya Leighton, Berlin 2013 Everything becomes mysterious, Christine Koenig Galerie, Wien (curated by Sophie OBrien) Collection on Display: Monica Bonvicini, Heidi Bucher, Tom Burr, Urs Fischer, Pamela Rosenkranz, Markus Schinwald, Cathy Wilkes, Migros Museum, Zurich The Encyclopedic Palace, Venice Biennale, Venice (55th International Art Exhibition) Shortcuts and Digressions, Norwich Castle Museum & Art Gallery, Norwich (Curated by the artist Brian Griffiths) From where I come…maybe…I dont know, Raucci/Santamaria, Naples Love is Colder than Capital An Exhibition about the value of feelings, Kunsthaus Bregenz, Bregenz The Assistants, David Kordansky Gallery, Los Angeles Henry Taylor, Pawel Althamer, and Cathy Wilkes Walk into a Bar..., MOMA, New York (Gallery 11, permanent collection) 2012 Studio 58: Women Artists in Glasgow Since WWII, Mackintosh Museum, Glasgow School of Art, Glasgow We Love You, Limoncello, London Glueballs and Winos, Glasgow Project Room, Glasgow 2011 The Cockeyed Turkey and a Paper Pudding, The Lighthouse, Glasgow 2010 Abstract Resistance, Walker Arts Centre, Minneapolis 2009 Running Time: Artists Films in Scotland 1960 to Now, Dean Gallery, Edinburgh Head-Wig (Portrait of an exhibition), Camden Arts Centre, London (Selected by Paulina Olowska) TONITE, The Modern Institute/Toby Webster Ltd, Glasgow 2008 Turner Prize 2008, Tate Britain, London (nominee) Contemporary Scottish Art: New Acquistitions & Loans, Scottish National Gallery of Modern Art, Edinburgh A show of many parts, each part more spectacular and elaborate than the last, Leicester City Art Gallery, Leicester 2007 a point in space is a place for an argument, David Zwirner, New York EARTH?, Galerie Giti Nourbaksch, Berlin Galleria Massimo De Carlo, Milan Quality as Quantity, Kunsthalle Exnergasse, Wien If I Cant Dance, I Dont Want To Be Part Of Your Revolution, Edition II: Feminist Legacies And Potentials In Contemporary Art P, MuHKA Museum van Hedendaagse Kunst Antwerpen, Antwerp New Work UK: You and Me, Whitechapel, London (screening of I will miss you, I will pour essential oil on your body) You Have Not Been Honest, Museo dArte Contemporanea Donnaregina, Naples Breaking Step, Museum of Contemporary Art, Belgrade 2006 Splash, 4th Berlin Biennial for Contemporary Art, Berlin (installation at Of Mice and Men) Non Verbal (version), Printemps de Septembre, Toulouse The Secret Theory of Drawing: Dislocation & Indirection in Contemporary Drawing, The Drawing Room / Tannery Arts, London How to Improve the World, British Art 1946-2006, Hayward Gallery, London If it didnt exist youd have to invent it: a partial Showroom history, The Showroom, London 2005 Frieze Projects, Frieze Art Fair Selective Memory: Scotland & Venice Biennale, Scottish National Gallery of Modern Art, Edinburgh Body: New Art from the UK, Vancouver Art Gallery, Canada (British Council touring exhibition. Touring to The Ottawa Art Gallery, Canada; Oakville Galleries, Canada; Edmonton Art Gallery, Canada; Art Gallery Nova Scotia, Canada) Selective Memory, Scotland + Venice, 51st Venice Biennale, Venice (installation at Scotland & Venice: Selective Memory) 2004 Formalismus, Moderne Kunst, Heute, Hamburg Kunstverein, Hamburg LAir du Temps - Collection Printemps/Été 2004, Migros Museum, Zurich Cara Studies Votes for Women, Manifesta 5, San Sebastian; Douglas Hyde Gallery, Dublin 2003 Independence, South London Gallery, London Plunder: Culture as Material, DCA, Dundee 2002 P_A_U_S_E, Gwanju Biennial, South Korea Happy Outsiders from London and Scotland, Zacheta Gallery, Warsaw 2001 Psycho-Bobble, Galleria Raucci/Santamaria, Naples Circles 4 One Fo(u)r One, ZKM Museum for Contemporary Art, Karlsruhe (with Elizabeth Go) Here and Now: Scottish Art 1990-2001, Dundee Contemporary Arts, Dundee; Aberdeen Art Gallery, Aberdeen 2000 Seven Scottish Artists, Grant Selwyn Fine Art, Beverly Hills Die gefahr im Jazz, Berlin Pavilion, Galerie Mark Müller, Zurich Film Club 2, Vilma Gold, London (with Elizabeth Go; curated by David Thorpe) Film Club, Glasgow (with Elizabeth Go; curated by Scott Myles) Becks Futures, ICA, London (nominee) 1999 A Still Volcano Life, South Gallery, Melbourne The Queen is Dead, Stills Gallery, Edinburgh Where the Wild Roses Grow, Anti War - You Take it From my Heart, Transmission, Glasgow (with Elizabeth Go) Love, Speed, Thrills, Manchester Metropolitan University (with Elizabeth Go) Trace, Liverpool Biennal, Liverpool 1998 The Modern Institute, Glasgow at Sadie Coles HQ Add Night To Night, The Showroom, London (Curated by Sarah Tripp) Slant 6, Jacob Javits Center, New York Floatina Happiness, Tramway, Glasgow (Host; with Elizabeth Go) From Here at High Street Projects, Christchurch 1997 The Art Exchange Show, Broad Street, New York Hit em With This Antoinette, Catalyst Arts, Belfast (Elizabeth Go performance at Satellite City) Fly, Glasgow Connected, Northern Gallery for Contemporary Art, Sunderland (Elizabeth Go) The Truly Supa Superstore, Norwich Gallery, Norwich Lovecraft, CCA, Glasgow (The South London Gallery, London) You Show Me The DF Every Night You Show Me The DF You Show Me, NGCA, Sunderland (Elizabeth go performance at Connected) 1996 Insanestupidphatfuctpervert, Cubitt, London Loaded: A Contemporary View of British Painting, Ikon Gallery, Birmingham The Mostyn Open, Oriel Mostyn, Llandudno insanestupidphatfuctpervert, Concrete Skates, Glasgow (Touring exhibition. Touring to Cubitt, London) World of Ponce, Southpark, Glasgow (Curated by Toby Webster) Art for People, Transmission, Glasgow 1995 Barrage, Catalyst Arts, Belfast (with Jonnie Wilkes) Onziemes Ateliers du FRAC, Frac des Pays de Ia Loire, Nantes The Living Landscape, West Cork Arts Centre, Ireland The Belmont Hotel Installation Project, Glasgow 1994 Small World Small Works, Galerie CAOC, Berlin Beyond the Pale, Irish Museum of Modern Art, Dublin 1993 Interview 2, Glasgow School of Art, Glasgow BIBLIOGRAPIE Presse 2015 Storr, Anne: Inner Worlds and Outer Realities, Tate etc., 07/01/2015 2013 Cathy Wilkes - Untitled, 2012 (detail), Petunia, Issue 5 05/2013 2012 Mono - Cathy Wilkes, Kaleidoscope, Issue 14 03/2012 2011 Marcus, Daniel: Eyes in the Heat, Artforum, Summer 2011 06/2011 Burton, Johanna: Previews: Cathy Wilkes, Artforum, 05/2011 Lowndes, Sarah: Slow Dazzle, Spike Art Quarterly, 02/02/2011 2010 Collins, Matthew: Zombie Frieze, Modern Painters, 12/2010 Linda Yablonsky: Artifacts | The Frieze Art Fair: Salvage Instinct, New York Time blogs, 15/10/2010 Bell, Kirsty: The Vantage Point of Being Alive, Mousse, Summer Issue 201 2010 2009 Staple, Polly: Head Wig, Art Review, Issue 36 11/2009 Stewart, Chistabel: A View Story, Tank, 10/2009 Sherwin, Skye: Exhibitionist: The Best Art Show to see this week, The Guardian Website, 25/09/2009 New Group Exhibition Curated by Paulina Olowska to be Presented at Camden Arts Center, Artdaily.org, 21/09/2009 Lack, Jessica: Exhibitions, The Guardian Guide, 19/09/2009 Garner, James: Art Review Tonite, Metro, 08/2009 Casadio, Mariuccia: 3D Futurity, Vogue Italia, 01/2009 Whitman-Salkin, Leah: Navigating the Maze, Kaleidoscope, 2009 2008 Mottram, Jack: In love with a checkout girl, The Herald, 18/07/2008 Mansefield, Susan: Finding Lost Female Souls, The Scotsman, 04/07/2008 McDermott, Leon: Spoon-Fed Ideology, Metro, 04/07/2008 Lesso, Rose: Cathy Wilkes: Prices, The List, Issue 607 07/2008 Turner Prize: Ist Cathy Wilkes die neue Tomma Abts?, Monopol, 06/06/2008 Smyth, Cherry: Cathy Wilkes, Art Monthly, 06/2008 Staple, Polly: extract from Switzerland, Frieze, Issue 116 2008 Trigg, David: Milton Keynes: Cathy Wilkes, Map, Issue 144 2008 Cathy Wilkes: Untitled, Mister Motley, Issue 22 2008 2007 Smith, Roberta: A Point In Space Is A Place For An Argument, The New York Times, 20/07/2007 Baker, RC: A Point In Space Is A Place For An Argument, Village Voice, 30/06/2007 Schiavi, Isabelle: Cathy Wilkes: Outside The Body Politic, Next Level, 2007 2006 Mottram, Jack: Cathy Wilkes, Map, Issue 5 2006 Kennedy, Alexander: Selective Memory: Scotland and Venice, Map, Issue 5 2006 2005 Staple, Polly: Today, Afterall, Issue 12 10/2005 Diederichsen, Diedrich: FORMALISMUS, Artforum, 03/2005 OSullivan, Simon: Ten Concepts Following Cathy Wilkes Practice, Afterall, Issue 12 2005 2004 Jeffrey, Moira: Soaking up the atmosphere of the moons, The Herald, 13/12/2004 Jeffrey, Moira: Cathy Wilkes, The Herald, 02/03/2004 Wulffen, Thomas: Manifesta 5, Kunstforum International, 2004 Verwoert, Jan: Vele Modernismen: Florian Pumhösl en Cathy Wilkes, Metropolis M, 2004 2002 Jeffrey, Moira: Three cheers and a whisper, The Herald, 20/05/2002 Sutherland, Giles: Parallel Deceptions, Sunday Herald, 19/05/2002 2001 Eichler, Dominic: Cathy Wilkes, Frieze, Issue 59 05/2001 Rosenberg, Angela: Cathy Wilkes, Flash Art, 2001 Bradley, Will: Quiet Radical, Untitled, 2001 2000 Smyth, Cherry: Becks Futures, Art Monthly, 30/04/2000 1999 Sheehan, Declan: untitled, Circa, 1999 1998 OSullivan, Tom, Joanne Tatham: untitled, Circa, Issue 89 30/11/1998 1997 Rothschild, Eva: I am you as you are me as he is she as we are all together, Make, Issue 80 30/11/1997 Wilkes, Cathy: The Lion For Real, Stopstop 1, 1997 Ausstellungsbesprechungen 2015 Jeffrey, Moira: Arts Review: Cathy Wilkes (review of Cathy Wilkes, Tate Liverpool, Liverpool), The Scotsman, 13/04/2015 Herbert, Martin: Martin Herbert picks ten April 2015 shows you dont want to miss (review of Cathy Wilkes, Tate Liverpool, Liverpool), Art Review, 04/2015 Dyer Amazeen, Lauren: Cathy Wilkes (review of Cathy Wilkes, Tramway, Glasgow), Artforum, 01/2015 2014 Cathy Wilkes at Tramway (review of Cathy Wilkes, Tramway, Glasgow), Contemporary Art Daily, 10/09/2014 2013 Bell, Kirsty: Il Palazzo Enciclopedico: 55. Biennale di Venezia (review of The Encyclopedic Palace, Venice Biennale, Venice), Frieze d/e, 10/2013 Sooke, Alastair: Venice Biennale 2013: The Encyclopedic Palace, Central Pavilion and Arsenale, review (review of The Encyclopedic Palace, Venice Biennale, Venice), The Telegraph, 30/05/2013 Miller, Phil: State of the Arts: Scotland on show at the Venice Biennale (review of The Encyclopedic Palace, Venice Biennale, Venice), The Herald, 27/05/2013 Higgins, Charlotte: Venice Biennale to showcase new generation of young British artists (review of The Encyclopedic Palace, Venice Biennale, Venice), The Guardian, 18/03/2013 2012 Clark, Robert: Cathy Wilkes (review of Cathy Wilkes, The Modern Institute, Osborne Street, Glasgow), The Guardian Guide, 11/2012 Davis, Michael: Cathy Wilkes (review of Cathy Wilkes, The Modern Institute, Osborne Street, Glasgow), The List, 11/2012 Diary (review of Cathy Wilkes, The Modern Institute, Osborne Street, Glasgow), Mousse Magazine, 11/2012 Cathy Wilkes (review of Cathy Wilkes, The Modern Institute, Osborne Street, Glasgow), Mousse Magazine, 35 10/2012 Davis, Michael: Studio 58 (review of Studio 58: Women Artists in Glasgow Since WWII, Mackintosh Museum, Glasgow School of Art), The List, 02/08/2012 Lowndes, Sarah: Art Beat (review of Studio 58: Women Artists in Glasgow Since WWII, Mackintosh Museum, Glasgow School of Art), The List, 21/06/2012 Hill, Wes: Gesellschaft Fur Aktuelle Kunst, Bremen (review of Cathy Wilkes, Gesellschaft Fur Aktuelle Kunst, Bremen), Frieze, 145 03/2012 Silverman, Julia: Do Not Touch: Cathy Wilkes probes the boundary between stuff and sculpture at the Ren (review of Cathy Wilkes: I Give You All My Money, The Renaissance Society at the University of Chicago, Chicago), Chicago Weekly, 02/02/2012 Lori Waxman: Molly Zuckerman-Hartung, Cathy Wilkes draw on strikingly similar themes in separate exhibitions (review of Cathy Wilkes: I Give You All My Money, The Renaissance Society at the University of Chicago, Chicago), Chicago Tribune, 02/2012 K. Rich, Sarah: Review (review of Cathy Wilkes, Carnegie Museum of Art, Pittsburgh), Artforum, 02/2012 Bucknell, Alice: Motley crew of objects can an exhibit make (review of Cathy Wilkes: I Give You All My Money, The Renaissance Society at the University of Chicago, Chicago), The Chicago Maroon, 24/01/2012 Stange, Raimar: Berlin (review of Cathy Wilkes, Gesellschaft Fur Aktuelle Kunst, Bremen), Art Review, 01/2012 Ruiz, Steve: I Give You All (review of Cathy Wilkes: I Give You All My Money, The Renaissance Society at the University of Chicago, Chicago), ArtSlant, 01/2012 2011 Burton, Johanna: Previews (review of Cathy Wilkes, Aspen Art Museum, Aspen), Artforum, 05/2011 2008 Bidisha: Why a woman should have won the 2008 Turner prize (review of Turner Prize 2008, Tate Britain, London), The Guardian, 03/12/2008 MacMillan, Duncan: Visual Art Reviews: Turner for the worse (review of Turner Prize 2008, Tate Britain, London), The Scotsman, 28/11/2008 Sumpter, Helen: Turner Prize 2008 (review of Turner Prize 2008, Tate Britain, London), Time Out, 09/10/2008 Lewis, Ben: Race for the Prize (review of Turner Prize 2008, Tate Britain, London), Evening Standard, 08/10/2008 Cumming, Laura: Sshh… its the Turner Prize (review of Turner Prize 2008, Tate Britain, London), The Observer, 05/10/2008 Searle, Adrian: The Turner prize (review of Turner Prize 2008, Tate Britain, London), The Guardian, 04/10/2008 Campbell-Johnston, Rachel: But is it art? (review of Turner Prize 2008, Tate Britain, London), The Times, 10/2008 Searle, Adrian: Nurses and curses (review of Turner Prize 2008, Tate Britain, London), The Guardian, 30/09/2008 Akbar, Arifa: A mannequin on a toilet and dry porridge its the Turner Prize (review of Turner Prize 2008, Tate Britain, London), The Independent Online, 28/09/2008 Januszczak, Waldemar: Turning Point (review of Turner Prize 2008, Tate Britain, London), NewStatesman, 22/05/2008 Cornwell, Tim: Dummies, loos, The Simpsons - its Turner Prize time again (review of Turner Prize 2008, Tate Britain, London), The Scotsman, 14/05/2008 Miller, Phil: Everyday items bring Turner Prize nomination for Glasgow artist (review of Turner Prize 2008, Tate Britain, London), The Herald, 14/05/2008 Brown, Mark: Modern-day dandy (and his associate Felix the Cat) is Turner prize favourite (review of Turner Prize 2008, Tate Britain, London), The Guardian, 14/05/2008 Akbar, Arifa: Shortlist for Turner Prize promises end to male domination (review of Turner Prize 2008, Tate Britain, London), The Independent, 14/05/2008 Alberge, Dayla: Tate courts controversy with Turner Prize shortlist (review of Turner Prize 2008, Tate Britain, London), Times Online, 14/05/2008 Dickson, Andrew: Female artists dominate Turner shortlist (review of Turner Prize 2008, Tate Britain, London), The Guardian, 13/05/2008 Noah, Sherna: Mannequin on toilet bids for Turner prize (review of Turner Prize 2008, Tate Britain, London), The Independent, 13/05/2008 Baracaia, Alexa: Turner shortlist is a female affair (review of Turner Prize 2008, Tate Britain, London), The London Paper, 13/05/2008 McClurg-Welland, Ian: Turner 08 The Gender Agenda? (review of Turner Prize 2008, Tate Britain, London), Art of England, 05/2008 Aspden, Peter: Women dominate Turner shortlist (review of Turner Prize 2008, Tate Britain, London), Financial Times, 14/04/2008 1999 Mahoney, Elisabeth: The Queen is Dead (review of The Queen is Dead, Stills Gallery, Edinburgh), Untitled, 1999 Bird, Nicky: The Queen is Dead (review of The Queen is Dead, Stills Gallery, Edinburgh), Art Monthly, 1999 Publikationen 2015 Cathy Wilkes, Tate Liverpool, Liverpool 2011 n. paradoxa - international feminist art journal: Womens Work, volume 27, KT press, London (Reinterpreting the Mannequin: Allen Jones, Cathy Wilkes and Morag Keil) 2008 Cathy Wilkes Milton Keynes Gallery, Milton Keynes Gallery, Milton Keynes 2006 Frieze Projects: Artists Commisions and Talks (2003-2005), frieze, London 2004 On My Sim You 1/4 Moon, in Formalismus, Moderne Kunst, Heute, Kunstverein in Hamburg, Hamburg 2003 Victorine as an EspadaI, The Fruitmarket Gallery, Edinburgh 2001 Cathy Wilkes, The Modern Institute/Toby Webster Ltd, Glasgow 2000 Puppe, in Avalon, The Changing Room, Stirling 1998 Wilkes Gallery Projects, 1994-1997, (self-published), Glasgow Ausstellungspublikationen 2011 Cathy Wilkes, Aspen Art Museum, Aspen Cathy Wilkes, Kunstverein, Munich (Exhibition guide, features Cathy Wilkes in conversation with Bart Van Der Heide) 2008 Scotland & Venice 2003 2005 2007, Scottish Arts Council/ British Council/ National Galleries of Scotland/ The Scottish Government, Edinburgh 2007 Breaking Step, Museum of Contemporary Art, Belgrad You Have Not Been Honest, British Council, London 2006 Of Mice and Men, 4th Berlin Biennial for Contemporary Art, Berlin 2005 Body: New Art from the UK, Vancover Art Gallery and The British Council, Vancover, London Selective Memory, Scottish Arts Council, British Council, National Galleries of Scotland, Scotland 2004 Cathy Wilkes, Douglas Hyde Gallery, Dublin Formalismus. Modern Kunst, heute (Formalism. Modern Art, today), Hatje Cantz Verlag, Ostfildern-Ruit With All Due Intent, Manifesta 5, DonostiaSan Sebastián 2002 Happy Outsiders from London and Scotland, Zacheta Panstowowa Galeria Sztuki, Warschau 2001 Circles Individuelle Sozialisation und Netzwerkarbeit in der zeitgenössischen Kunst, (exhibition catalogue), ZKM, Karlsruhe Here and Now: Scottish Art 1990-2000, Dundee Contemporary Arts, Dundee 2000 Becks Futures, ICA, London 1998 Add Night to Night, The Showroom, London oben |
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